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      Los Lobos in State College


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      April 16, 2020

       

      130 West College Avenue
      State College, Pennsylvania 16801

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      Los Lobos

      This event has been postponed with more information to follow. If you have any questions you can call the box office at 814-272-0606 or send us an email: boxoffice@thestatetheatre.org


      Los Lobos’s journey began in 1973, when Hidalgo (vocals, guitar, and pretty much anything with strings), Perez (drums, vocals, guitar), Rosas (vocals, guitar), and Lozano (bass, vocals, guitarrón) earned their stripes playing revved-up versions of Mexican folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning punk and college rock scenes. They were soon sharing bills with bands like the Circle Jerks, Public Image Ltd. and the Blasters, whose saxophonist, Steve Berlin, would eventually leave the group to join Los Lobos in 1984.

      Early on, Los Lobos enjoyed critical success, winning the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP …And a Time to Dance. A year later, the group released its full-length, major-label debut, How Will the Wolf Survive? Co-produced by Berlin and T. Bone Burnett, the album was a college rock sensation that helped Los Lobos tie with Bruce Springsteen as Rolling Stone’s Artist of the Year.

      A major turning point came in 1987 with the release of the Ritchie Valens biopic, La Bamba. The quintet’s cover of Valens’ signature song topped the charts in the U.S. and the U.K. Rather than capitalize on that massive commercial success, Los Lobos instead chose to record La Pistola y El Corazón, a tribute to Tejano and Mariachi music that won the 1989 Grammy® for Best Mexican-American Performance.

      That kind of sharp artistic turn has become Los Lobos’ trademark, serving to both fuel the band’s creativity and keep its fans engaged. In 1992, that willingness to defy expectations led them to record Kiko, an adventurous album produced by Mitchell Froom that’s considered by many to be one the band’s very best.

      Since then, Los Lobos has continued to deliver daring and diverse albums such as Colossal Head (1996), Good Morning Aztlán (2002), The Town and the City (2006), Tin Can Trust (2010) and Gates of Gold (2015). On top of that, the band’s live shows never disappoint, as documented on the recent concert recordings Live at the Fillmore (2005) and Disconnected in New York City (2013). Through the years, they’ve managed to keep things interesting with unexpected side trips like an album of Disney songs in 2009, along with countless contributions to tribute albums and film soundtracks. One of those – “Mariachi Suite” from the 1995 film Desperado ­– earned the band a Grammy® for Best Pop Instrumental Performance.

      Los Lobos has sold millions of records, won prestigious awards and made fans around the world. But perhaps its most lasting impact will be how well its music embodies the idea of America as a cultural melting pot. In it, styles like son jarochonorteño, Tejano, folk, country, doo-wop  soul, R&B, rock ’n’ roll and punk all come together to create a new sound that’s greater than the sum of its parts.The Commonheart

      This band is therapy for me to bring myself back to being a better person, and I hope people come along with me,” says powerhouse singer Clinton Clegg of The Commonheart. The testimonial begins on August 16th when the 9-piece band issues its most potent and purposeful dose of grittily redemptive rock n’ soul, its sophomore album, PRESSURE; (Jullian Records). Clinton didn’t grow up in a Baptist church, and his soul machine of a band isn’t pushing religion. Live and in the studio, the Pittsburgh-based collective is offering feel-good positivity, Golden Rule messaging, and sweat-soaked performances that nimbly ease through blues, vintage soul, and rock. The nonet is bonded by familial-like ties and a desire to foster spiritual uplift. Among its ranks are female backup singers, drums, bass, guitar, a horn section, and keyboards. Out front is Clinton, a lightning bolt charismatic frontman with dynamically expressive pipes that effortlessly traverse bluesy pleading, and honeyed balladeering. The Commonheart’s latest album, PRESSURE; is both rugged and refined. The 10 song album showcases raw-nerve soul musicianship pristinely recorded. PRESSURE’s an album by a band on a mission. “We are willing to take risks and to go at any lengths for this band,” Clinton says affirmatively. “We are ready to spread positivity and make a stretch of this thing.

      Categories: Performing Arts

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